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Barnaby Jones.

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00:00:20,950 --> 00:00:22,970
Starring Buddy Ebsen.

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Also starring Lee Merriweather.

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With guest stars Tom Skerritt, Dennis
Cole,

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Sharon Spellman.

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Special guest star Audra Lindley.

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Tonight's episode, Image of Evil.

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There is no escape.

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Can't you see that?

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Can you run away from the wind?

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Can you hide from the night?

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Please, please don't make me go back
there. This is your place for death.

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Going back is the, the, uh, can't be,
uh...

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How many more takes are you going to
need?

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No mush is a disaster.

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All right, cut it out.

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Honey, that was just what I... Thanks a
lot.

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Darren, I'm sorry. I blew it again.

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Look, Don, don't worry about it, okay?
It's going to work out just fine. I feel

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so guilty.

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I know how you fought to use me, and
I... Hey, look, now wait a minute, wait

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minute. I wasn't fighting for your sake.
I was fighting for my sake.

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Now just give it time. That quality you
have in your old pictures, it's going to

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come through.

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Remember, you're working with a better
director than you've ever worked with

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before, okay?

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Hey, Darren?

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Yeah? If you want, I can make the right
part of the cliff for the long shot.

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We're beginning to lose our light, pal.

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No point in shooting anymore. Bob?

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Yeah? Wrap it up.

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Okay, you heard the man.

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Wrap it up.

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All right, people. It's been a long,
hard day at work.

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And I think what we could all use is a
good dinner in town, okay?

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Right. Got a deal. As long as the
conversation on the menu is not about

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business.

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How about you, Dad?

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No. No, thanks. I think I'd better stay
here in my trailer tonight.

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Study my lines.

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Okay.

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Well, I'll pick you up at the hotel at
eight.

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You wear something nice and sexy to keep
the locals thrilled.

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Okay. I'll see you there.

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Today puts us exactly two weeks behind
schedule. Darren, there is no way we can

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avoid going over budget.

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It's not just the budget, Phil.

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That old Lush is a disaster. He's
ruining my picture.

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What can we do?

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I don't know. I just don't know.

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Okay, guys, load it up.

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Don't touch that.

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I thought the cops were supposed to keep
you ghouls from the press out.

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I'm not a newspaper man.

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I'm a private investigator, Barnaby
Jones, California Meridian Insurance,

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me out here to take a look around.

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I see.

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I'm Bob Totcher, first assistant
director.

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Glad to know you.

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I understand that the fire started in a
paint shed, explosion.

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Yeah, about 10 o 'clock, boom.

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Where was Mr. Chambers when it happened?

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He was right here in his trailer.

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He must have run out to see what was
going on.

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Never knew what hit him.

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Tragedy. I must have seen 50 of his
pictures.

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Is this where he was when they found
him?

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Yeah, the only thing that's been moved
is this lift gate.

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See, Chambers must have bumped into the
relief lever here and got hit when it

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fell on him.

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It's worse mess than last night.

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Yeah, Carl, it is.

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Uh, Barnaby Jones, Carl Mitchell.

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Oh.

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Uh, Carl was Mr. Chambers' stunt double.

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He also was a big help with the fire
last night.

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I see.

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No hero or anything.

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Just that I stopped off for a few beers
with some of the other stuntmen and

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stopped by here.

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Uh, of course, I am the one that found
Mr. Chambers.

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Well, uh, shouldn't you be taking that
down for your newspaper, Mr. Jones?

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Mr. Jones isn't a reporter.

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He's a private eye.

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Oh.

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You know, Bob, we don't have to lose
that much time on the film.

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I mean, I can do all the action
sequences and long shots until Darren

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new start.

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Yeah, Carl.

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You know, in makeup, I look enough like
Chambers that, well, we could finish the

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whole picture.

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It's been done before.

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Yeah, Carl, never try to con an old A
.D., huh?

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Why don't you save that for Darren
Addison?

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He's the producer, the director.

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He'll pick the new lead.

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Sounds like a man I should talk to.

98
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Yeah, that's right.

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Excuse me, Mr. Jones. I've got some work
to do.

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Thank you very much, Mr. Tucker.

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Mr. Mitchell.

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These lights.

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Were they on when you found Mr.

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Chambers' body?

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Yeah. With the light from the fire, the
whole place was pretty well lit up.

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Well, with all this light...

107
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It seemed odd that he would run into a
truck where he shouldn't have had any

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trouble missing.

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Well, uh, we found an empty bottle of
scotch in Chambers' trailer.

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Wouldn't be the first time he was drunk.

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Wouldn't be the first time that odds
lost out to circumstances either,

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it doesn't happen too often.

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You saying it wasn't an accident?

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Well, Mr. Chambers' life was insured for
a million dollars and a movie for much

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more than that.

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Pretty expensive circumstances.

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Where would I find Darren Addison?

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He's at the castle.

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The castle?

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Mr. Jones, I'm Darren Addison. Hi.

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You met my assistant, Miss Jacob.

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Yes, she did her best to make me feel at
home as much as you can feel at home in

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a place like this.

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Yeah. Well, I thought the gothic
atmosphere would go with the film, so I

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it.

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Two years ago when you made that
Western, did you live on a ranch?

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Well, that was my first job as a
director. You saw that?

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Yeah, it was a good picture.

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Nice uplifting story.

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I understand you've gone a little way
out since then.

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One of those fellows that does
everything.

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What do they call him?

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Autour.

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I think that's the word.

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I never could understand a man who could
write, direct, produce.

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Mr. Jones, the sooner we settle this
claim, the sooner I can get back to my

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thing.

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Yeah, well, I'm not an insurance
adjuster. I'm an investigator.

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Now, that's funny. I never would have
cast you in that role.

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Then I never would have had an
investigator in the scene. There's no

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here, is there?

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No, just a few little questions to clear
up.

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There's been some rumors back in L .A.

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Rumors? And my daughter -in -law, Betty,
reads the gossip columns. And a couple

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of weeks ago, she read some rumor about
there being trouble on the picture.

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Well, John...

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Rumors are what Hollywood's all about.
Some good, some bad. Who's in, who

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In the long run, it's performance that
counts.

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Yes, well, uh, insurance people are
paying me for a little performance, so,

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uh, could I ask you where you were last
night?

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Oh, we, uh, we all went to dinner at the
Regency Inn. Uh, that's, uh, Darren

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and, uh, Bob Tarcher, Faye Winston, and
I.

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Thank you.

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Um, mind if I kind of poke around the
location?

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Oh, great, yeah.

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Uh, fill, uh, clear with Bob, will you?
Oh, sure.

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Mr. Jones, you know he'd be right for
another role?

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Country editor.

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You ever think of that?

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You know, some of the others thought I
was a newspaper man, too.

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In my line of business, it's the other
people who make the headlines.

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Can I talk to you?

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Some other time.

164
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Look, I know what happened last night.

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Chambers' death was no accident. You
were there.

166
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I was at dinner. Everyone saw me.

167
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Listen, I know how you feel about what
the old man was doing to the picture.

168
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But don't worry. I don't plan to tell
anyone.

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What do you want, Mitchell?

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00:14:22,400 --> 00:14:24,220
Just a chance to show you what I can do.

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Chambers' part.

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Get out of the way. I'll drive right
over you. Come on.

173
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All right. I'll...

174
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Except to tell the sheriff what I know.
Betcha. Wait a minute, wait a minute.

175
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You really want the job that bad that
you would try to blackmail me for it?

176
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That's a crazy bluff. You know that,
don't you?

177
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But all good actors are crazy.

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All right, we'll test you today.

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But you better be another Olivier.

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What are you doing out here with all
that work back at the office?

181
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Well, I thought you might need a little
help, so I whizzed through the bills

182
00:15:24,630 --> 00:15:28,630
this morning and I brought your stuff
back to the car.

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Came out to see the stars.

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Did not.

185
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Are there any around?

186
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Have you found anything?

187
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Just this.

188
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What used to be a cigarette lighter.

189
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Well, couldn't anyone have dropped this?

190
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I wouldn't have thought too much about
it except for this.

191
00:15:49,160 --> 00:15:53,979
I'm sorry about it. With all this heady
atmosphere, it's keeping me from

192
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thinking.

193
00:15:55,000 --> 00:15:56,940
Does the charred padlock mean?

194
00:15:57,160 --> 00:15:59,000
Not only charred, it's unlocked.

195
00:15:59,560 --> 00:16:02,300
I found it over there by what used to be
the paint shed.

196
00:16:02,301 --> 00:16:06,119
The gentleman over there, one of the
painters, said that he locked up the

197
00:16:06,120 --> 00:16:07,170
before he left there.

198
00:16:07,171 --> 00:16:11,719
Well, has the local fire department
started an arson investigation?

199
00:16:11,720 --> 00:16:13,520
Up to now, there's been no need for it.

200
00:16:14,510 --> 00:16:18,310
Come on, I'll introduce you to the first
A .D., the system director.

201
00:16:23,670 --> 00:16:24,720
Mr. Tarcher?

202
00:16:24,781 --> 00:16:26,849
Mr. Jones?

203
00:16:26,850 --> 00:16:29,020
Kind of busy. I've got a screen test to
set up.

204
00:16:29,290 --> 00:16:31,250
Oh, well, this is kind of important.

205
00:16:31,710 --> 00:16:35,050
Do you have the key to the paint shed?

206
00:16:55,221 --> 00:16:56,849
Thank you.

207
00:16:56,850 --> 00:16:57,900
Thank you.

208
00:17:05,270 --> 00:17:07,650
Is there another key for this lock?

209
00:17:08,170 --> 00:17:09,220
Yeah, I think so.

210
00:17:10,569 --> 00:17:12,310
Now you've got a duplicate in here.

211
00:17:20,170 --> 00:17:21,710
The duplicate's gone.

212
00:17:23,430 --> 00:17:24,810
Well, thank you, Mr. Torture.

213
00:17:25,349 --> 00:17:26,429
You've been a big help.

214
00:17:32,670 --> 00:17:37,529
You know, these Hollywood people know
all the camera angles, but there's one

215
00:17:37,530 --> 00:17:39,270
angle here I think they overlooked.

216
00:17:40,550 --> 00:17:43,010
Barnaby, I'm sorry. I still don't
understand.

217
00:17:44,170 --> 00:17:45,550
There's Chambers' trailer.

218
00:17:46,290 --> 00:17:48,090
Over there is where they had the fire.

219
00:17:50,990 --> 00:17:53,550
Now, let's say that I am inside.

220
00:17:54,160 --> 00:17:57,170
And I want to come out and see what all
the commotion's about.

221
00:17:57,600 --> 00:17:59,900
And I've had a few drinks.

222
00:18:01,260 --> 00:18:02,310
You stand clear.

223
00:18:13,580 --> 00:18:14,630
Coffee.

224
00:18:16,480 --> 00:18:17,820
All right. All right, buddy.

225
00:18:20,460 --> 00:18:23,290
Now, you see what I had to go through
just to hit the lever.

226
00:18:25,770 --> 00:18:27,210
That's only half the problem.

227
00:18:27,430 --> 00:18:32,429
Having hit the lever, how did I arrange
to get under the lift gate before it

228
00:18:32,430 --> 00:18:33,480
fell?

229
00:18:34,790 --> 00:18:37,020
You think someone else released the
lever?

230
00:18:37,050 --> 00:18:41,170
If somebody set the fire as a diversion
to get Chambers out of the trailer.

231
00:18:46,030 --> 00:18:47,770
No, I can't go with you!

232
00:18:48,710 --> 00:18:50,630
Come, my darling, to sleep.

233
00:18:51,470 --> 00:18:53,510
To sleep your last peaceful sleep.

234
00:18:54,350 --> 00:18:56,090
But why does it have to be like this?

235
00:18:57,050 --> 00:18:58,230
Because I'm a dream.

236
00:18:58,890 --> 00:18:59,940
Your dream.

237
00:19:00,350 --> 00:19:02,190
And dreams inevitably give.

238
00:19:07,730 --> 00:19:09,170
Oh, Crow, you were fantastic.

239
00:19:09,470 --> 00:19:11,830
I'm so happy for you. You were really
great.

240
00:19:13,350 --> 00:19:15,910
Darren! Hey, Darren, what do you think?

241
00:19:19,790 --> 00:19:22,170
Darren, you've got yourself a find.

242
00:19:22,171 --> 00:19:26,429
Bob, get that film in the studio right
away. I want that man's name in a

243
00:19:26,430 --> 00:19:27,480
contract tonight.

244
00:19:28,410 --> 00:19:29,460
Thank you, guys.

245
00:19:29,910 --> 00:19:30,960
Come on, Carl.

246
00:19:34,310 --> 00:19:35,360
Was it right?

247
00:19:35,470 --> 00:19:36,610
Was it what you wanted?

248
00:19:38,730 --> 00:19:41,020
You did your thing, Carl. You can be
proud of it.

249
00:19:41,310 --> 00:19:42,360
No, really, Darren.

250
00:19:42,490 --> 00:19:43,540
Come on, Carl.

251
00:19:43,790 --> 00:19:46,990
We have all sorts of details to work
out. Do you have an agent?

252
00:19:47,670 --> 00:19:49,530
No, I don't. Oh, it's really wonderful.

253
00:19:49,930 --> 00:19:51,370
Thank you. Thank you very much.

254
00:19:54,890 --> 00:19:55,940
Mr. Addison?

255
00:19:56,210 --> 00:19:57,260
Yeah.

256
00:19:57,290 --> 00:20:01,269
I'd like you to meet... Oh, your
daughter -in -law, the one who reads

257
00:20:01,270 --> 00:20:02,350
columns. How do you do?

258
00:20:03,130 --> 00:20:05,110
It's an honor to meet you, Mr. Addison.

259
00:20:08,010 --> 00:20:12,049
Oh, this is all quite a treat for me,
but I must admit I didn't expect to see

260
00:20:12,050 --> 00:20:13,100
the birth of a star.

261
00:20:13,330 --> 00:20:16,160
Well, it's not the birth that counts,
it's the maturity.

262
00:20:16,770 --> 00:20:19,780
And Carl's talent won't have that until
I bring it out of him.

263
00:20:20,430 --> 00:20:23,080
Mr. Jones, did you find the answer to
your rumors yet?

264
00:20:23,800 --> 00:20:25,480
Well, it could be more than rumors.

265
00:20:25,960 --> 00:20:27,220
I may have found a murder.

266
00:20:28,400 --> 00:20:30,160
Oh, come on, Jones, really?

267
00:20:31,580 --> 00:20:33,080
All the murders are in a script.

268
00:20:33,200 --> 00:20:37,000
I know, but the happenings surrounding
the death of Mr.

269
00:20:37,240 --> 00:20:39,760
Chambers could be just as clever.

270
00:20:40,880 --> 00:20:44,010
What time was it you said that you and
your friends had dinner?

271
00:20:44,960 --> 00:20:48,700
Mr. Jones, you may not be a newspaper
man, but you're making me wish you were.

272
00:20:49,180 --> 00:20:50,230
How's that?

273
00:20:50,419 --> 00:20:54,089
Well, you see, I still am not speaking
to them. It's a pleasure meeting you.

274
00:21:06,900 --> 00:21:07,950
How did you like it?

275
00:21:08,580 --> 00:21:09,630
How'd you do it?

276
00:21:09,860 --> 00:21:11,000
How'd you get the test?

277
00:21:11,920 --> 00:21:13,080
Your success story.

278
00:21:13,620 --> 00:21:16,000
Right place at the right time. Oh, come
on, Carl.

279
00:21:16,560 --> 00:21:19,870
When we first got down here, you tried
working on me and struck out.

280
00:21:20,680 --> 00:21:21,880
How'd you reach Darren?

281
00:21:23,380 --> 00:21:25,380
I told Darren I saw him kill Chambers.

282
00:21:26,460 --> 00:21:28,760
What? It's a plain old -fashioned bluff.

283
00:21:29,380 --> 00:21:30,580
Saw a little, said a lot.

284
00:21:31,840 --> 00:21:34,560
Carl, you're sick.

285
00:21:34,960 --> 00:21:36,010
Am I?

286
00:21:36,120 --> 00:21:37,260
Then why'd he touch me?

287
00:21:38,060 --> 00:21:39,110
Because he's scared.

288
00:21:43,280 --> 00:21:44,800
I'm a good poker player, Phil.

289
00:21:45,680 --> 00:21:49,170
Ask your brilliant boss what he was
doing out here last night. Go ahead.

290
00:21:49,640 --> 00:21:50,690
He did it, Phil.

291
00:22:11,500 --> 00:22:14,540
Yeah, sure, I waited on the Hollywood
people last night.

292
00:22:15,040 --> 00:22:17,600
Let's see, there was Miss Winston and...

293
00:22:18,129 --> 00:22:19,970
Darren Addison, Miss Girl Friday.

294
00:22:20,750 --> 00:22:22,090
Oh, and that Karcher fella.

295
00:22:22,091 --> 00:22:24,209
Miss Winston has a suite here, you know.

296
00:22:24,210 --> 00:22:25,260
Oh, I didn't know.

297
00:22:25,890 --> 00:22:27,150
Oh, you have a good memory.

298
00:22:28,710 --> 00:22:30,150
How long did the dinner last?

299
00:22:30,650 --> 00:22:32,970
Oh, they're very sophisticated people.

300
00:22:33,930 --> 00:22:36,790
Before dinner drinks, after dinner
drinks, wine.

301
00:22:36,791 --> 00:22:39,589
They must have been here for three
hours.

302
00:22:39,590 --> 00:22:41,150
I don't know, sometime after 11.

303
00:22:41,390 --> 00:22:42,470
Anybody leave early?

304
00:22:44,530 --> 00:22:46,870
You know, I had a lot of people to
serve.

305
00:22:48,170 --> 00:22:50,460
You've got to hustle if you want to make
a buck.

306
00:22:50,790 --> 00:22:51,840
You know what I mean.

307
00:22:55,010 --> 00:22:57,180
Funny thing about these Hollywood
people.

308
00:22:57,970 --> 00:22:59,020
Small tippers.

309
00:22:59,021 --> 00:23:02,689
Like I should be so happy serving them,
who needs money?

310
00:23:02,690 --> 00:23:04,130
I take it you didn't like them.

311
00:23:04,330 --> 00:23:08,710
Well, let's say that when they talk to
you, you ain't really there.

312
00:23:09,510 --> 00:23:11,370
Too busy waiting for the phone to ring.

313
00:23:11,371 --> 00:23:12,669
The phone?

314
00:23:12,670 --> 00:23:15,889
Yeah, that Addison guy. He must have
been born with one in his hand.

315
00:23:15,890 --> 00:23:16,940
Big man.

316
00:23:17,420 --> 00:23:18,470
He took some calls?

317
00:23:18,520 --> 00:23:19,570
All evening.

318
00:23:19,860 --> 00:23:21,720
Sent the veal back because it got cold.

319
00:23:22,100 --> 00:23:23,150
Like it was my fault.

320
00:23:23,880 --> 00:23:26,710
You got any idea how long it takes a hot
plate to get cold?

321
00:23:27,620 --> 00:23:29,000
Where did he take the calls?

322
00:23:29,380 --> 00:23:30,430
Out there.

323
00:23:30,431 --> 00:23:34,419
Acted like it was some kind of a skid
row joint when I told him we don't have

324
00:23:34,420 --> 00:23:35,359
table hookups.

325
00:23:35,360 --> 00:23:38,070
Well, I guess a man with connections
gets used to them.

326
00:23:38,440 --> 00:23:39,490
Thanks.

327
00:23:40,080 --> 00:23:41,130
Thank you.

328
00:23:41,131 --> 00:23:43,899
You know, I don't know why they call it
Hollywood.

329
00:23:43,900 --> 00:23:47,510
According to Switchboard, most of those
calls came from Beverly Hills.

330
00:23:47,530 --> 00:23:48,580
Or Burbank.

331
00:23:55,470 --> 00:23:57,590
Yes, Miss Harmon, as Mr.

332
00:23:58,090 --> 00:24:02,529
Jones is doing an investigation on the
cause of death, he thought that if it

333
00:24:02,530 --> 00:24:06,210
possible to pin down the rumors about
the picture, it might help.

334
00:24:06,550 --> 00:24:09,990
Well, I do believe you've piqued my
interest.

335
00:24:09,991 --> 00:24:14,029
With all this investigating going on,
maybe I'd better get up there myself

336
00:24:14,030 --> 00:24:15,080
tomorrow.

337
00:24:15,310 --> 00:24:16,590
But the information.

338
00:24:19,610 --> 00:24:24,709
Now, I promise you, when we all get
together, we'll have a very interesting

339
00:24:24,710 --> 00:24:25,760
chat.

340
00:24:26,250 --> 00:24:27,510
I look forward to it.

341
00:24:34,081 --> 00:24:40,389
That gossip columnist here, does she
have anything to tell us?

342
00:24:40,390 --> 00:24:41,069
Mm -hmm.

343
00:24:41,070 --> 00:24:43,030
She said I piqued her interest.

344
00:24:43,250 --> 00:24:45,420
She's coming up here tomorrow
personally.

345
00:24:46,030 --> 00:24:47,080
Piqued?

346
00:24:48,910 --> 00:24:52,949
Look, I'm not one to go running the
contract, Ross, but I do have creative

347
00:24:52,950 --> 00:24:55,060
control, and I want Mitchell for the
film.

348
00:24:57,890 --> 00:25:00,180
Well, at least consider him, will you,
Ross?

349
00:25:02,010 --> 00:25:03,060
Ross?

350
00:25:06,361 --> 00:25:08,449
Let me guess.

351
00:25:08,450 --> 00:25:12,710
He's interesting, but not right for the
lead. Was that Ross's line?

352
00:25:13,210 --> 00:25:15,560
I've been reading those books about old
mogul.

353
00:25:16,270 --> 00:25:20,869
Then I promised him if Debbie died make
it a list of Availables for me to pick

354
00:25:20,870 --> 00:25:27,609
up and if you don't want any of them.
Well, there's no picture It's gonna be

355
00:25:27,610 --> 00:25:32,569
tough on Mitchell Do you want me to talk
to him? No, no, no, I'll talk to him

356
00:25:32,570 --> 00:25:36,029
Why don't you go up get some sleep? I
gotta think this thing through

357
00:25:36,030 --> 00:25:42,690
Darren about Mitchell

358
00:25:45,580 --> 00:25:52,419
I'm so used to turning people down, I'll
have them... Mile in by morning, how's

359
00:25:52,420 --> 00:25:53,470
that, huh?

360
00:25:53,471 --> 00:25:54,099
I

361
00:25:54,100 --> 00:26:01,839
don't

362
00:26:01,840 --> 00:26:02,890
believe it.

363
00:26:02,891 --> 00:26:05,399
The studio couldn't have turned me down.

364
00:26:05,400 --> 00:26:06,450
I'm sorry.

365
00:26:06,900 --> 00:26:07,950
Sorry?

366
00:26:07,951 --> 00:26:11,519
Oh, no, you're going to do more than
just be sorry, Darren. You're going to

367
00:26:11,520 --> 00:26:12,329
me that part.

368
00:26:12,330 --> 00:26:15,549
Uh, look, Mitchell, you're not listening
to me. I tried. I've done all I

369
00:26:15,550 --> 00:26:17,490
possibly could. Not quite all, Darren.

370
00:26:17,950 --> 00:26:19,450
You haven't gone to prison yet.

371
00:26:19,451 --> 00:26:21,849
And you will if you don't figure a way.
I don't think there are going to be

372
00:26:21,850 --> 00:26:23,170
other pictures of the part.

373
00:26:23,450 --> 00:26:25,110
Now, you got my word, all right?

374
00:26:25,970 --> 00:26:27,020
So did Chambers.

375
00:26:27,021 --> 00:26:28,909
You want me to tell that Mr.

376
00:26:28,910 --> 00:26:30,290
Jones just how you kept it?

377
00:26:30,570 --> 00:26:32,070
Uh, don't talk nonsense.

378
00:26:33,870 --> 00:26:34,920
Nonsense?

379
00:26:35,710 --> 00:26:37,150
Is that why you're sweating?

380
00:26:38,110 --> 00:26:40,280
You want me to describe it for you,
Darren?

381
00:26:40,350 --> 00:26:44,249
Or maybe I should, uh... Act out just
how you started the fire, worked the

382
00:26:44,250 --> 00:26:45,300
gate.

383
00:26:46,750 --> 00:26:48,130
You know, it is kind of funny.

384
00:26:48,590 --> 00:26:50,330
The great Darren Addison in prison.

385
00:26:53,170 --> 00:26:54,220
Hey, Darren.

386
00:26:54,221 --> 00:26:55,449
I know.

387
00:26:55,450 --> 00:26:58,270
You could always start a little theater
group.

388
00:27:20,010 --> 00:27:21,690
Something on your mind, Mr. Jones?

389
00:27:24,130 --> 00:27:26,190
Oh, poor Carl.

390
00:27:26,690 --> 00:27:28,430
All right, let's get him out of here.

391
00:27:33,181 --> 00:27:35,169
How stupid.

392
00:27:35,170 --> 00:27:36,770
How really, very stupid.

393
00:27:36,771 --> 00:27:38,569
You should have known better.

394
00:27:38,570 --> 00:27:40,490
Known better about what, Mr. Anderson?

395
00:27:40,750 --> 00:27:43,460
Oh, actors, they're over -emotional,
like children.

396
00:27:43,990 --> 00:27:47,250
I should have made sure someone stayed
with him last night.

397
00:27:47,570 --> 00:27:48,620
Did you see Mr.

398
00:27:48,690 --> 00:27:49,770
Mitchell last night?

399
00:27:49,771 --> 00:27:53,429
Well, no, I talked to him on the
telephone. I told him the studio refused

400
00:27:53,430 --> 00:27:54,480
for the lead.

401
00:27:54,850 --> 00:27:56,170
You called him? What time?

402
00:27:58,150 --> 00:27:59,570
11, but he called me.

403
00:28:00,110 --> 00:28:02,970
Good. The switchboard ought to be able
to confirm that.

404
00:28:03,350 --> 00:28:04,610
Help fix the time of death.

405
00:28:05,010 --> 00:28:06,150
Oh, I don't think so.

406
00:28:07,190 --> 00:28:09,660
Carl called from a pay phone, didn't he,
Darren?

407
00:28:11,270 --> 00:28:14,210
Yeah, he was too nervous.

408
00:28:15,090 --> 00:28:18,770
I shouldn't have told him.

409
00:28:19,500 --> 00:28:22,090
You were with Mr. Addison when he
received the call?

410
00:28:22,100 --> 00:28:25,320
Yeah, we were working very late on the
script last night.

411
00:28:27,340 --> 00:28:29,580
Look, you mustn't blame yourself,
Darren.

412
00:28:30,040 --> 00:28:31,880
You were very gentle with Carl.

413
00:28:34,940 --> 00:28:36,320
Well, I guess we'd better go.

414
00:28:36,321 --> 00:28:40,799
Sheriff, if there's anything at all I
can do to help, please don't hesitate to

415
00:28:40,800 --> 00:28:41,850
call.

416
00:28:46,640 --> 00:28:47,900
I have to go, too.

417
00:28:48,380 --> 00:28:50,000
Expecting a very important gift.

418
00:28:50,160 --> 00:28:53,759
Oh, well, have a nice day, Mr. Jones.
Thank you, Sheriff. If I do, you'll be

419
00:28:53,760 --> 00:28:54,810
first to know.

420
00:29:27,950 --> 00:29:29,510
I don't know how to play it, Phil.

421
00:29:31,390 --> 00:29:33,330
In that case, just say thanks.

422
00:29:41,650 --> 00:29:46,530
You lied for me. Why?

423
00:29:46,990 --> 00:29:49,880
If they put you away for murder, where
does that leave me?

424
00:29:51,370 --> 00:29:53,230
Murder? You can't believe that, Phil.

425
00:29:54,110 --> 00:29:55,670
You're a fine director, Darren.

426
00:29:56,110 --> 00:29:57,160
But let's face it.

427
00:29:57,630 --> 00:29:58,950
You're not much of an actor.

428
00:30:01,710 --> 00:30:03,710
Carl told me he was blackmailing you.

429
00:30:05,230 --> 00:30:09,889
The sad part is, if you'd taken me into
your confidence, I could have told you

430
00:30:09,890 --> 00:30:10,940
he was bluffing.

431
00:30:13,610 --> 00:30:14,690
That was all an act?

432
00:30:16,970 --> 00:30:19,290
Carl was truly a fine actor.

433
00:30:20,910 --> 00:30:24,700
As good as you're going to have to be if
you want to keep them from nailing you.

434
00:30:28,970 --> 00:30:30,020
Will you help me?

435
00:30:30,730 --> 00:30:31,780
Yeah.

436
00:30:32,110 --> 00:30:35,120
But you'll have to cooperate and let me
work everything out.

437
00:30:36,630 --> 00:30:37,680
Okay, it's all yours.

438
00:30:39,070 --> 00:30:42,330
Now, how did you get into that paint
shed?

439
00:30:42,970 --> 00:30:44,890
With a key from the production trailer.

440
00:30:45,290 --> 00:30:46,610
You still have it? Yeah.

441
00:30:47,870 --> 00:30:48,920
Good.

442
00:30:49,610 --> 00:30:50,660
That's all we need.

443
00:30:51,610 --> 00:30:54,440
You've always been here taking care of
me, haven't you?

444
00:30:55,630 --> 00:30:56,830
Well, I didn't even know.

445
00:30:59,500 --> 00:31:01,360
You've always loved me, haven't you?

446
00:31:04,220 --> 00:31:05,760
And you've always known it.

447
00:31:18,100 --> 00:31:20,000
Barnaby, I don't understand.

448
00:31:20,980 --> 00:31:23,460
You don't mind my calling you Barnaby,
do you?

449
00:31:23,800 --> 00:31:26,320
I mean, it's just so much more on team.

450
00:31:28,000 --> 00:31:32,120
But anyway, I don't understand why I've
never seen you in L .A.

451
00:31:32,500 --> 00:31:35,820
Well, Miss Harmon, maybe we move in
different circles.

452
00:31:36,260 --> 00:31:38,100
Call me Iris, please.

453
00:31:40,020 --> 00:31:45,300
Do you know, I've never met anyone like
you. I really, I've never met anyone so,

454
00:31:45,440 --> 00:31:47,900
well, so people.

455
00:31:49,400 --> 00:31:50,450
Miss Harmon.

456
00:31:51,530 --> 00:31:55,769
And that's a compliment coming from me,
believe me. Any of my readers can tell

457
00:31:55,770 --> 00:32:00,509
you that, because you just don't meet
very many real people in Hollywood.

458
00:32:00,510 --> 00:32:04,810
that right, Betty? Betty. And she's
absolutely right, Barnabas.

459
00:32:05,450 --> 00:32:07,620
Well, in that case, thank you, Miss
Harmon.

460
00:32:07,770 --> 00:32:08,820
Iris.

461
00:32:10,350 --> 00:32:13,130
But weren't we going to talk about some
other people?

462
00:32:14,590 --> 00:32:20,019
Well, according to my sources, the
trouble on this film went a lot...

463
00:32:20,020 --> 00:32:21,500
than the late Mr. Chambers.

464
00:32:21,501 --> 00:32:25,559
It's true, he was, uh, well, he was in
terrible shape and getting worse every

465
00:32:25,560 --> 00:32:31,120
day, but he was also having a really bad
effect on the enfant terrible.

466
00:32:31,700 --> 00:32:32,960
What kind of an effect?

467
00:32:33,560 --> 00:32:36,480
Well, he was shaking Darren's
confidence.

468
00:32:36,481 --> 00:32:40,319
Not that it couldn't use a little
shaking, but that doesn't help the

469
00:32:40,320 --> 00:32:41,540
film very much, does it?

470
00:32:41,920 --> 00:32:46,600
And from what I hear, Image of Evil is a
bomb.

471
00:32:47,140 --> 00:32:48,190
A bomb?

472
00:32:50,960 --> 00:32:56,220
They tell me that the studio bosses
absolutely loathe the dailies.

473
00:32:56,660 --> 00:32:59,730
That's the film footage that they shoot
every day, you know?

474
00:33:00,200 --> 00:33:04,100
Anyway, they tell me that before Mr.

475
00:33:04,320 --> 00:33:09,239
Chambers' death, they were seriously
considering firing not only him, but

476
00:33:09,240 --> 00:33:10,290
Addison as well.

477
00:33:10,480 --> 00:33:11,980
Does Mr. Addison know that?

478
00:33:12,500 --> 00:33:16,340
Well, he should. I mean, the rumor mill
works both ways, you know?

479
00:33:17,600 --> 00:33:20,550
Just how serious is that to be fired
from this one picture?

480
00:33:20,920 --> 00:33:23,320
Oh, darling, for Darren, it's a
disaster.

481
00:33:23,880 --> 00:33:29,379
I mean, this is his first big -budget
film. Now, if he blows this one, he'll

482
00:33:29,380 --> 00:33:31,550
probably never get a big production
again.

483
00:33:31,551 --> 00:33:36,499
It's a pretty powerful incentive to make
some changes, don't you think, Barnum?

484
00:33:36,500 --> 00:33:39,690
Yeah, well, now he'll be able to make
all the changes he wants to.

485
00:33:41,840 --> 00:33:44,970
Well, I mean, after the insurance
company pays off the studio.

486
00:33:45,500 --> 00:33:51,640
you'll be able to start all over again
from scratch. That's interesting.

487
00:33:54,480 --> 00:33:56,640
It's very interesting, Miss Harmon.

488
00:33:57,680 --> 00:33:58,940
Iris, remember?

489
00:33:59,880 --> 00:34:00,930
Iris.

490
00:34:02,700 --> 00:34:06,860
Oh, Barnaby, you haven't heard anything
yet.

491
00:34:07,440 --> 00:34:13,920
I have the most delicious, nasty little
stories to tell you.

492
00:34:39,290 --> 00:34:41,280
Sorry, ma 'am, but you can't go in
there.

493
00:34:41,449 --> 00:34:45,550
Oh, well, I just wanted to pick up
Carl's copy of the script.

494
00:34:45,551 --> 00:34:48,769
It's studio property. Sorry, ma 'am, but
the room's sealed until after the

495
00:34:48,770 --> 00:34:49,910
investigation's over.

496
00:34:50,070 --> 00:34:51,450
You've got to keep it locked.

497
00:34:51,730 --> 00:34:52,780
Oh.

498
00:34:53,230 --> 00:34:57,570
Well, I guess you have your job to do.

499
00:34:57,870 --> 00:34:58,920
Same as I do.

500
00:35:23,850 --> 00:35:27,930
Weren't you directing traffic while we
were shooting near town the other day?

501
00:35:28,310 --> 00:35:29,710
Yeah, yeah, I was.

502
00:35:30,150 --> 00:35:32,800
Nice of you to notice. Well, that's part
of my job, too.

503
00:35:33,270 --> 00:35:35,970
Noticing an interesting face for a
movie.

504
00:35:37,090 --> 00:35:39,230
Deputy, what did you say your name was?

505
00:35:39,510 --> 00:35:43,590
Bright. Deputy Jack Bright. Oh, now,
Jack, tell me the truth now.

506
00:35:44,290 --> 00:35:45,340
Can you ride a horse?

507
00:35:45,950 --> 00:35:47,000
Sure.

508
00:35:47,130 --> 00:35:50,440
Well, because you know we're going to
need a new stuntman, right?

509
00:35:50,790 --> 00:35:52,810
I do say you can make good money at
that.

510
00:35:53,930 --> 00:35:57,120
Couldn't be any more dangerous than
being an officer of the law.

511
00:36:01,521 --> 00:36:05,749
Come on, Jack, let's get the stuff out
of here.

512
00:36:05,750 --> 00:36:07,670
Uh, well, Sheriff, I don't understand.

513
00:36:07,671 --> 00:36:10,829
We'll be going through Mr. and Mrs.
Belong. The best place to do that is

514
00:36:10,830 --> 00:36:12,570
headquarters. Come on, let's get it.

515
00:36:22,010 --> 00:36:23,270
I'm going to check the bed.

516
00:36:27,050 --> 00:36:28,100
All clear.

517
00:36:37,070 --> 00:36:38,690
Can I at least have the script?

518
00:36:38,970 --> 00:36:40,020
Sorry, ma 'am.

519
00:37:09,360 --> 00:37:11,060
You did it? Walk in the fire.

520
00:37:21,740 --> 00:37:23,800
That clenches it all right, Mr. Jones.

521
00:37:23,801 --> 00:37:26,619
Mitchell had the key to the paint shack
all right.

522
00:37:26,620 --> 00:37:29,439
Does this mean you've come around to my
way of thinking?

523
00:37:29,440 --> 00:37:33,459
Well, I'm willing to accept the fact
that the paint shack was broken into and

524
00:37:33,460 --> 00:37:38,020
maybe even that Chambers was murdered,
but the way I see it...

525
00:37:38,500 --> 00:37:41,420
Mitchell killed Chambers because he
wanted the part.

526
00:37:42,400 --> 00:37:44,440
That's what they call showbiz, isn't it?

527
00:37:44,680 --> 00:37:48,579
It doesn't seem logical that he'd work
so hard to get ahead and then kill

528
00:37:48,580 --> 00:37:50,990
himself so soon. Yeah, but he didn't get
the part.

529
00:37:51,380 --> 00:37:52,940
Found out it was all for nothing.

530
00:38:00,200 --> 00:38:01,250
Thank you.

531
00:38:01,720 --> 00:38:03,640
What kind of a knot would you call this?

532
00:38:04,500 --> 00:38:06,790
Oh, come on, Jones. It's a slipknot, of
course.

533
00:38:07,360 --> 00:38:11,080
Corners' report said that Mitchell had a
tattoo on his arm, USN.

534
00:38:11,760 --> 00:38:15,639
Seems to me any sailor would know at
least six knots would be more efficient

535
00:38:15,640 --> 00:38:16,559
than this one.

536
00:38:16,560 --> 00:38:19,150
I checked Mitchell's insurance records,
Sheriff.

537
00:38:19,240 --> 00:38:21,280
He was in the Navy for three years.

538
00:38:21,520 --> 00:38:24,230
You mean to say you think Mitchell was
murdered, too?

539
00:38:24,820 --> 00:38:25,870
Maybe.

540
00:38:26,560 --> 00:38:29,260
I could just explain how this key got in
his wallet.

541
00:38:29,700 --> 00:38:31,140
That room was sealed off.

542
00:38:31,600 --> 00:38:33,650
My man wouldn't let anybody get past
him.

543
00:38:33,651 --> 00:38:37,079
Only person who tried was that gal who's
been hanging around with Addison.

544
00:38:37,080 --> 00:38:38,420
Phyllis Schaefer? Uh -huh.

545
00:38:39,920 --> 00:38:40,980
May I use your phone?

546
00:38:41,300 --> 00:38:42,350
Yeah, go right ahead.

547
00:38:42,780 --> 00:38:44,890
We can pick her up if you want to talk
to her.

548
00:38:45,200 --> 00:38:46,360
No, not yet.

549
00:38:48,120 --> 00:38:54,739
Sometimes the best results don't come
from the lever that you've got, but who

550
00:38:54,740 --> 00:38:55,790
you select to pull it.

551
00:38:58,560 --> 00:39:02,360
Sharon, I know what a pain the press is
to you.

552
00:39:02,710 --> 00:39:06,409
Especially my kind of friend. Well,
Iris, you keep coming around to that

553
00:39:06,410 --> 00:39:08,749
gossip and we could become the best of
friends.

554
00:39:08,750 --> 00:39:10,670
Your information is accurate, right?

555
00:39:10,810 --> 00:39:13,570
Well, it comes right from the horse's
mouth.

556
00:39:14,010 --> 00:39:18,490
According to Barnaby Jones, his
investigation is over.

557
00:39:19,290 --> 00:39:23,080
Both he and the sheriff agree that
Chambers was murdered by Carl Mitchell?

558
00:39:23,310 --> 00:39:24,870
That's the official word.

559
00:39:26,290 --> 00:39:29,250
Well, good luck, Darren.

560
00:39:29,590 --> 00:39:34,240
And don't forget, An exclusive interview
the minute you get back to L .A.

561
00:39:35,600 --> 00:39:38,130
Phyllis, dear, would you show me the way
to my car?

562
00:39:38,660 --> 00:39:40,200
Of course, Miss Harmon.

563
00:39:40,720 --> 00:39:41,770
This way.

564
00:39:52,800 --> 00:39:53,860
Thanks, Phyllis.

565
00:39:55,320 --> 00:39:58,840
You know, dear, I'm really very
impressed with you.

566
00:39:59,960 --> 00:40:01,010
I, uh...

567
00:40:02,350 --> 00:40:04,330
I think you're taking this awfully well.

568
00:40:05,930 --> 00:40:07,530
You're very strong, young lady.

569
00:40:07,910 --> 00:40:10,610
Strong? What am I being strong about?

570
00:40:10,990 --> 00:40:12,890
Oh, darling, I'm sorry.

571
00:40:14,110 --> 00:40:17,270
Well, I thought you and Darren had made
the decision together.

572
00:40:17,990 --> 00:40:21,590
Wait, uh, what decision are you talking
about?

573
00:40:22,030 --> 00:40:28,270
Well, the decision to take the studio
pressure off Darren by... Oh, look,

574
00:40:28,990 --> 00:40:35,009
One of my most reliable sources just
called to tell me that Darren had spoken

575
00:40:35,010 --> 00:40:39,329
the studio this afternoon and he had
agreed that you were to be taken off the

576
00:40:39,330 --> 00:40:40,380
payroll.

577
00:40:41,270 --> 00:40:44,100
I don't know who's going to replace you
as his assistant.

578
00:40:44,950 --> 00:40:48,110
Maybe that pretty little script girl
they tell me you have.

579
00:40:50,010 --> 00:40:55,110
Oh, well, bright girl like you, I'm sure
you'll find something else.

580
00:41:12,490 --> 00:41:13,630
be, you better be right.

581
00:41:14,490 --> 00:41:15,930
We'll soon know, Miss Harmon.

582
00:41:16,270 --> 00:41:17,350
You've been a big help.

583
00:41:17,890 --> 00:41:21,570
Iris, don't forget you owe me a dinner.

584
00:41:22,170 --> 00:41:24,150
If you don't call me, I'll call you.

585
00:41:26,881 --> 00:41:34,349
That's nonsense, Phil. Why would I fire
you? Because you're the great Darren

586
00:41:34,350 --> 00:41:37,969
Addison. Because you're still so full of
yourself, you don't understand that you

587
00:41:37,970 --> 00:41:40,849
still need me. Look, I know a good thing
when I have it, and you're the best

588
00:41:40,850 --> 00:41:42,399
thing that ever happened to me, Phil.

589
00:41:42,400 --> 00:41:43,960
No, Darren, babe.

590
00:41:44,800 --> 00:41:48,280
Don't pull that phony tanda with me.
I've seen what a good liar you are.

591
00:41:48,520 --> 00:41:51,350
I'm not a liar, not with you. You can't
help it, but you are.

592
00:41:52,780 --> 00:41:54,160
Darren, what did you think?

593
00:41:54,480 --> 00:41:57,550
That because I love you, I'd go along
with whatever you want?

594
00:41:57,620 --> 00:41:58,670
Of course.

595
00:41:59,720 --> 00:42:00,920
I'm warning you, Darren.

596
00:42:01,380 --> 00:42:03,980
I'll blow this sky high if you force me.

597
00:42:22,280 --> 00:42:24,020
your precious coattails and I wait.

598
00:42:24,800 --> 00:42:25,850
For what?

599
00:42:26,540 --> 00:42:27,820
For you to love me?

600
00:42:28,200 --> 00:42:29,340
For a job?

601
00:42:30,540 --> 00:42:33,040
Darren, we both know about rumors.

602
00:42:33,640 --> 00:42:37,040
Why would anybody start this one unless
it's true?

603
00:42:37,900 --> 00:42:40,380
I don't know, Phyllis. I don't know.
Believe me.

604
00:42:45,220 --> 00:42:49,320
I would have done anything you asked.

605
00:42:52,910 --> 00:42:58,390
All I wanted in return was to be along
for the ride.

606
00:43:13,050 --> 00:43:15,090
What are you thinking, about killing me?

607
00:43:16,410 --> 00:43:17,460
No.

608
00:43:18,730 --> 00:43:20,840
I'm just going to turn you into the
police.

609
00:43:24,110 --> 00:43:25,730
No, not if I take that gun from you.

610
00:43:27,590 --> 00:43:29,330
You're not a killer, remember? I am.

611
00:43:31,130 --> 00:43:33,600
You couldn't have killed Chambers and
Mitchell.

612
00:43:34,950 --> 00:43:36,470
And you can't kill me.

613
00:43:37,530 --> 00:43:38,850
He's right, Miss Schaefer.

614
00:43:40,150 --> 00:43:41,710
I've heard enough. It's all over.

615
00:43:42,770 --> 00:43:44,770
I lied for Darren, Mr. Jones.

616
00:43:45,690 --> 00:43:47,250
I figured you did. Give me the gun.

617
00:43:54,680 --> 00:43:55,730
Improvise, Phil.

618
00:43:55,880 --> 00:43:58,760
I'm good at that. Come on, move. All
right,

619
00:44:00,400 --> 00:44:01,720
come on, up those steps now.

620
00:44:02,120 --> 00:44:03,170
Come on, Lola!

621
00:44:05,380 --> 00:44:10,719
I want to feel sorry about your fall
from the balcony, but I'll choreograph

622
00:44:10,720 --> 00:44:12,760
nicely. You disappoint me, Mr. Addison.

623
00:44:13,520 --> 00:44:18,880
I expected a much more dramatic staging
of a moment like this from you.

624
00:44:20,700 --> 00:44:21,750
It'll be dramatic.

625
00:44:22,779 --> 00:44:27,320
He'll try to prevent Phyllis from taking
your own life after the bad news.

626
00:44:27,640 --> 00:44:30,110
You look like you two are struggling
over the gun.

627
00:44:30,580 --> 00:44:33,140
Speaking of guns, Mr. Jones, where's
yours?

628
00:44:59,720 --> 00:45:01,950
You're trapped, Mr. Jones. Throw your
gun out.

629
00:45:30,071 --> 00:45:32,169
Get an ambulance.

630
00:45:32,170 --> 00:45:36,720
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